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Spells 11:22
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Church House 08:46
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Call Out 07:20
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about

"First House" (AMI 048) is the final recordings from free jazz legend and Birmingham, Alabama native, Arthur Doyle.

The LP was recorded live at the Stone July 11, 2012 and these six pieces are backed by His New Quiet Screamers, a Brooklyn-based ensemble adding muscle and movement to Doyle’s always already free, non-linear saxophone, flute and vocal lines.

Born in Birmingham in 1944, Doyle studied Music Education at Tennessee State University in Nashville. In his early years, Doyle worked with a wide array of musicians and in a broad range of musical styles, from R&B to Soul to traditional jazz, collaborating with everyone from future Sun Ra Arkestra trumpeter Walter Miller to Funk-Soul-Disco diva Gladys Knight. Doyle officially emerged on the international Jazz scene, however, playing on Noah Howard’s iconic Black Ark (Polydor, 1968), and later on Milford Graves’1976 IPS LP BaBi. In 1978 Doyle debuted as a bandleader and soloist with Alabama Feeling, released on Charles Tyler’s Ak-Ba label. Alabama Feeling features Charles Stephens (of the Sun Ra Arkestra) on trombone, drummers Rashied Sinan and Bruce Moore, and bassist Richard Williams. After the release of Alabama Feeling, Doyle continued to ignore boundaries and generic conventions, playing with Rudolph Grey as part of The Blue Humans, which introduced his music to NYC’s Downtown and NoWave scenes, including the likes of Lee Ranaldo, Kim Gordon and Thurston Moore. In the early 1990s, Doyle’s work was re-introduced to another generation, through releases for labels like Ecstatic Peace and Audible Hiss. Since the late ‘90s, Doyle continued a fevered pace in terms of his collaborations, most notably with Sunny Murray, Hamid Drake, Takahesi Mizutani (of the Les Rallizes Denudes) and Sabu Toyozumi, among many others.

His New Quiet Screamers consists of an acclaimed ensemble of musicians with a wide array of history and associations. Members have played with and/or include: Sunwatchers, Dark Meat, First's Western Ennisphere, Matana Roberts, among others.

This gatefold LP includes a commissioned essay from noted Jazz historian Clifford Allen who describes His New Quiet Screamers as “vault[ing] and envelop[ing] Doyle’s bursts” of sound to the point where Doyle “sounds positively invigorated.” Doyle’s final recordings offer what Allen characterizes as a kind of “unfurling” of the free jazz lexicon, offering insights on “the spidery architecture of an obliquely-referenced standard” that defined this enigmatic artist’s entire career. Standard and experimental improvisation alike, First House offers a window on Doyle’s last performances, an artist very much at the top of his playing and artistic form.

credits

released November 25, 2016

Arthur Doyle: Tenor Sax, Bamboo Flute, Vocals

HIS NEW QUIET SCREAMERS:

Eri Shoji: Vocals, Percussion
Matty McDermott: Electric Guitar
Jim McHugh: Electric Guitar
Robert Peterson: Piano
Jason Robira: Drums
Nicholas Emmet: Bass Guitar
Jessica Stathos: Percussion
Jeff Tobias: Alto Saxophone
Dylan Angell: Trumpet

All Arthur Doyle compositions BMI (2016)
First House produced by Jim McHugh and Robert Peterson
Mastered by Sarah Register at The Lodge
Engineered by Vic Thrill
Additional recording by Jorge Torres and Jason Banker
Mixed by Vic Thgrill and Jim McHugh at The Vivarium

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about

Arthur Doyle Birmingham, Alabama

Arthur Doyle worked in a broad range of styles, from R&B to Soul to trad jazz, collaborating with everyone from Sun Ra Arkestra trumpeter Walter Miller to Funk-Soul-Disco diva Gladys Knight. Doyle officially emerged on the international Jazz scene playing on Noah Howard’s iconic Black Ark and on Milford Graves’1976 IPS LP BaBi. In 1978 Doyle debuted as a bandleader/soloist with Alabama Feeling. ... more

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